In 2025 I evaluated the learning from two major commissions in the exhibition Hard Graft: Work, Health and Rights (September 2024 – April 2025) at Wellcome Collection. Through interviews and surveys with practitioners and collaborators I investigated the process behind ‘Care Chains’ by Moi Train, made alongside members of the Voice of Domestic Workers; and the commission ‘Money Makes the World Go Round’ by artist Lindsey Mendick, made in collaboration with members of the Sex Workers’ Advocacy and Resistance Movement (SWARM).